Porträt des Philosphen Arthur Schopenhauer, 1852

Die Aufnahme wurde vermutlich am 3. Sept. 1852 gemacht. Die Daguerreotypie hat eine Größe von 9,5 x 7,3 cm. Durck auch in: Silber und Salz, S. 61.

The driving will of the Universe is toward its Being, which can only come about via its Representation.

Schopenhauer saw this, but reached a pessimistic conclusion for humanity instead of seeing the tremendous, and joyous, implications behind it. Once Schopenhauer had inserted the conjunction “and” between the concepts to come up with the title of his work as The World as Will AND Representation, he removed himself from finding the positive element applied to universal destiny by inserting the preposition “to” and thus getting The World as Will TO Representation.

Heidegger did see these positive implications. He expressed it as the destiny of humanity for the en-framing of the Universe. Nevertheless, he seemed to be embarrassed by it, lacking any hard scientific data to support the idea.

But now, with new astronomical ideas springing directly from science, through the discovery of Cosmological Fine Tuning, the Universe can be said to be imbued with wilful purpose to Being through Representation.

Idealism becomes purposeful again – and by seeing reality this way, everything becomes purposeful again, with or without God. Cosmological Fine Tuning reveals a plan, a natural plan to create life, and the Universe itself, through fine tuning itself, has created its own conditions for allowing life to come about. The Universe, that is nothing until it can be perceived, and which is everything once it is completely framed, produces Sapiens – the entity that can perceive and learn; that can learn and know; that can make Being a reality, and its true fulfilment can only come through carrying out that duty.


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